Nov 192010

Frugal is back in the building…

Returned from St. Louis earlier this week after a long but fruitful event with COGIC and my old friends at Zeo Brothers.  We hung a bunch of XLc.  Including a rig in the dome where the Rams play.  I spent most of my time on the day shift in the main hall of the convention center with seats set for about 10,000.  Had a good long time to get used to mixing on the Venue platform.  I have to confess, it sounds pretty good.  I’m not a Digidesign fan, I’ve always hated ProTools and really resent being told I must use a particular platform.  But, with their live consoles, I think Avid has a solid product on their hands.  Given my choice I’d still rather mix analog but I was out of date when I was born and this just isn’t that world anymore.  More specifically regarding the SC48– it’s kind of a small surface to handle 48 or more inputs and out of the box it’s a little limited in i/o at FOH.  Mostly “i” as there’s plenty of “o” for most folks.  It looks like Avid has put out an option card that would remedy that in most situations.  The Venue IO16 card looks like it would add a good dose of general purpose analog and digital ins/outs to the console.  Having spent most of this year mixing on an XL8 and previously lots of time on PM5Ds the Venue still feels a little foreign to me.  Some of that I’m sure is particular to the SC48 where a lot was crammed into a small surface.  Hopefully I’ll get some time on a Profile soon for comparison.  I like the “spill” feature on the VCAs but, having to double tap select to get into “spill” mode seems silly to me.  I would prefer to have the option to make selected VCAs automatically spill whenever selected as they do on an XL8. Having the option to add TDM plugins is nice, but for a mostly one-off guy like me doesn’t do much.  Unless I was touring with Venue regularly I’d have a tough time justifying the cost of a bunch of plugins.  Since half (if not most)of the consoles on the market don’t support 3rd party plugins at all and none are cross platform that I’m aware of, it would be a waste of my money.  It baffles me that Yamaha, who now own Steinberg, has not created an option to use VSTs with either the PM5D or the M7.

Tomorrow I’m off to Rochester for a day of old school funk.  Then Monday it’s back to the local venue for more install work in preparation for a winter of shows in the smaller room.

Grateful to be working when so many folks aren’t.

It wants to be a grown up console one day...

XLcs, Projection and Xn sidefills

 November 19, 2010  Posted by at 11:16 pm Tagged with: , , , , , , , , , , , , , ,
Oct 102010

So while things were slower than usual in the past year or so there have been some interesting things happening in Frugal Land.

At Frugal Control I’ve had a few projects come through.  Late in ’09 I did some interesting dialog cleanup for a documentary on 9/11.  I also provided mastering services for the second album from  Kamikaze LTD, After Radio.  I mixed a track on this one too.  Bonus points to anyone who figures out which one.  Kamikaze is made up of friends and alumni I know from both City Honors and Binghamton University, as well as noted buffalo Bassist Jim Wynne.  I’ve functioned as something of a technical adviser since they began.

That was followed with a release concert for After Radio held at Buffalo’s Alt Theatre.  I handled lighting along with shooting some still and moving pictures.  Also did some authoring work to prep Jim Siniscalchi’s video for projection.

Summer of 2010 also included my 9th annual trip trip to work the COGIC AIM Convention, this year in Charlotte, North Carolina.

Then after a lot of bureaucratic hassle I signed on as part of the crew at a local venue.  I’ve decide not to name the venue here for a host of reasons but I’ll talk about some of the shows as I go along.  Many of the artists are great (some not so much).  The crew is decent and there’s some great gear too.

 October 10, 2010  Posted by at 1:03 am Tagged with: , , , , , , ,